Recycled, re-engineered and transformed pornography has often been appropriated by many of the industrial music movement’s female personalities who are invested in an anti-censorship discourse. This contrasts with the dominant form of feminism in the 1970s, which railed against the depiction of all aspects of sexuality. Artists Cosey Fanni Tutti, Lisa Carver, Diamanda Galás, Mïrka Lugosi, Antal Nemeth, Diana Rogerson and Jill Westwood challenged the codes of male domination by reconfiguring gender and overturning the violence perpetrated by men within the industrial movement. Following the artistic and cultural context of the 1970s and 1980s, such issues gave rise to the radical performances that are discussed throughout this article.

中文翻译：

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“阿尔法女性”：工业音乐中的女权主义僭越

回收、重新设计和改造的色情作品经常被工业音乐运动的许多女性人物所利用，她们投入到反审查的话语中。这与 1970 年代占主导地位的女权主义形成鲜明对比，后者反对对性的各个方面的描述。艺术家 Cosey Fanni Tutti、Lisa Carver、Diamanda Galás、Mïrka Lugosi、Antal Nemeth、Diana Rogerson 和 Jill Westwood 通过重新配置性别和推翻工业运动中男性实施的暴力来挑战男性统治的准则。继 1970 年代和 1980 年代的艺术和文化背景之后，这些问题引发了本文讨论的激进表演。