“The reality of transference is thus the presence of the past.”– Jacques Lacan

Luca Guadagnino's Suspiria (2018) aggressively foregrounds a term from the discourse of psychoanalysis, now a relic of twentieth-century philosophical and psychological thought, with which to negotiate a sequence of historical problems specific to its articulation as a remake (adaptation or reimagining) of a gaudy 1977 giallo by Dario Argento. The concept is “transference”. We are first introduced to it in the opening scene in Dr Josef Klemperer's (Lutz Ebersdof/Tilda Swinton's) psychoanalytic clinic, when Patricia Hingle (Chloë Grace Moretz) traces her fingers along the cover of Jung's Die Psychologie der Übertragung (Psychology of Transference); next, as the good doctor prepares to make his regular melancholic journey to his dacha in East Berlin, a student invites him to an evening lecture by Lacan – his contemptuous response, “Ah, Lacan!”, indicating his own transference; and then, while explaining the missing Patricia's paranoid syndrome to her friend, Sara (Mia Goth), Klemperer puts his Jungianism on the table: “This is how transference happens, how delusion is made. Delusion, Sara, is a lie that tells the truth”. Transference traverses the whole semantic field of this film text, offering a hermeneutic device that, we will show, structures its conception and execution.

中文翻译：

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转移Suspiria：精神分析转移的历史主义和哲学

“因此，移情的现实是过去的存在。” ——雅克·拉康

Luca Guadagnino 的Suspiria (2018) 积极地突出了精神分析话语中的一个术语，该术语现在是 20 世纪哲学和心理学思想的遗物，用它来协商一系列特定于其表述的历史问题，作为对Dario Argento 于1977 年制作的华丽giallo。这个概念是“转移”。我们第一次接触到它是在 Josef Klemperer 博士（Lutz Ebersdof/Tilda Swinton）的精神分析诊所的开场场景中，Patricia Hingle（Chloë Grace Moretz）沿着荣格的Die Psychologie der Übertragung（移情心理学）的封面追踪她的手指。); 接下来，当这位好医生准备定期前往他在东柏林的别墅进行他的忧郁之旅时，一名学生邀请他参加拉康的晚间讲座——他轻蔑的回应，“啊，拉康！”，表明他自己的移情；然后，在向她的朋友萨拉（米娅·哥特饰）解释失踪的帕特里夏的偏执综合征时，克伦佩勒提出了他的荣格主义：“这就是移情发生的方式，妄想是如何产生的。妄想，莎拉，是说真话的谎言”。移情贯穿了这部电影文本的整个语义领域，提供了一种解释学手段，我们将展示它，构建其概念和执行。