Apart from the longstanding and much-debated problem of art's commodification, how does neoliberalism transform and determine the conditions of artistic practice? Further, if neoliberalism is a substantially distinct stage in the history of capitalism, and not merely its intensification, what are the implications of this new condition for the practice and criticism of contemporary art? What does it mean to practice and theorize art, to be an artist or critic, under neoliberalism? Drawing on the central topic of this issue, is aesthetic, artistic, or political radicality in art still possible under the neoliberal condition? Can, or should, artistic practice constitute a significant site of resistance? Conversely, is the contemporary art world a paradigmatic case of, and even a model for, neoliberal capitalism?

中文翻译：

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新自由主义下的艺术

除了长期以来备受争议的艺术商品化问题，新自由主义如何改变和决定艺术实践的条件？此外，如果新自由主义是资本主义历史上一个明显不同的阶段，而不仅仅是它的强化，那么这种新条件对当代艺术的实践和批评有何影响？在新自由主义下，实践和理论化艺术、成为艺术家或评论家意味着什么？借用这个问题的中心话题，在新自由主义条件下，艺术中的审美、艺术或政治激进性是否仍然可能？艺术实践能否或应该构成一个重要的抵抗场所？相反，当代艺术界是否是新自由主义资本主义的典范，甚至是典范？