Summary

This paper examines how representations of the Sámi emerge in the art of two contemporary Nordic artists, Mattias Olofsson and Jorma Puranen. It compares Olofsson’s performances of Stor-Stina (1999-present) with Puranen’s Imaginary Homecoming (1991-97), showing how their projects convey and simultaneously attempt to dismantle a settler mentality. Through the comparison, the paper argues for the critical discernment of how art may reproduce a colonial framework so that we may break our habitual ways of imagining the world.

中文翻译：

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两个北欧艺术项目中的萨米人：Mattias Olofsson 的 Stor-Stina 和 Jorma Puranen 的想象归乡

概括

本文探讨了萨米人是如何在两位当代北欧艺术家 Mattias Olofsson 和 Jorma Puranen 的艺术中出现的。它将 Olofsson 的 Stor-Stina（1999 年至今）的表演与 Puranen 的Imaginary Homecoming（1991-97 年）进行了比较，展示了他们的项目如何传达并同时试图消除定居者的心态。通过比较，本文主张批判性地辨别艺术如何再现殖民框架，从而打破我们想象世界的习惯方式。