Street skateboarders are often excluded from public spaces with skating viewed as anti-social or uncivil. In this article, we argue that it can also be regarded as problematic as it interferes with the look and feel of cities as promoted by late-modern capitalism. The article contributes to an aesthetic criminology by arguing that street skateboarding is itself an aesthetic practice, but that this practice challenges the functionality and aesthetic order of the city. The article is supported by evidence from interviews with skateboarders in Manchester, UK. The context is the duel position of skateboarding, being regarded as both deviant and serious leisure (for instance, featuring for the first time in the Olympics in 2021). Rather than criminalizing and excluding skateboarders, it is argued that their aesthetic appreciation of public spaces could add value to city life, that they see and feel the city in ways that ought to add to our emotional and affective appreciation of what it means to live in a city.

中文翻译：

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街头滑板与公共空间的审美秩序

街头滑板者经常被排除在公共场所之外，滑冰被视为反社会或不文明的。在本文中，我们认为它也可以被认为是有问题的，因为它干扰了晚期现代资本主义所提倡的城市的外观和感觉。文章认为街头滑板本身就是一种美学实践，但这种实践挑战了城市的功能和美学秩序，从而为美学犯罪学做出了贡献。这篇文章得到了在英国曼彻斯特对滑板运动员的采访证据的支持。其背景是滑板的对决位置，被视为既不正常又严肃的休闲（例如，在 2021 年奥运会上首次亮相）。与其将滑板者定罪和排除在外，