In a sequence of drawings from the mid-1990s, the Catalan artist Perejaume (b. 1957) visualizes the migration of art movements across geographical and political borders. In doing so, the artist offers visual forms for intangible journeys through time and space. In sharp contrast to earlier concepts of the development of art, from Vasari’s cyclical model of rise and fall to Alfred H. Barr’s linear ‘Development of Cubism and Abstract Art’, Perejaume’s drawings offer a less definitive, more suggestive, visualization of the migration of art movements. By locating his drawings in specific landscapes, the artist gives a sense of the complex spatial relations between art and place. Within his wider practice, Perejaume crosses many borders. Artist, poet, writer and performer, he works in an extensive range of styles and mediums. This paper explores Perejaume’s representations of the migration of art movements, proposing them as alternative visual and conceptual models for the shape of art history.

中文翻译：

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艺术与地方：Perejaume 作品中的跨越边界

在 1990 年代中期的一系列画作中，加泰罗尼亚艺术家 Perejaume（生于 1957 年）将艺术运动跨越地理和政治边界的迁移形象化。在这样做的过程中，艺术家为穿越时空的无形旅程提供了视觉形式。与早期的艺术发展概念形成鲜明对比，从 Vasari 的兴衰周期模型到 Alfred H. Barr 的线性“立体主义和抽象艺术的发展”，Perejaume 的绘画提供了一种不太明确、更具启发性的视觉迁移艺术运动。通过将他的画作定位在特定的风景中，艺术家给人一种艺术与地方之间复杂的空间关系的感觉。在他更广泛的实践中，Perejaume 跨越了许多边界。艺术家、诗人、作家和表演者，他的作品涉及广泛的风格和媒介。