ABSTRACT

This article proposes a chiastic reading of Elle s’appelle Sabine, examining how director Sandrine Bonnaire folds time. She represents her sister, the subject of the film, in the present and past, but also offers points of comparison between herself and her sibling. The film has a doubled set of ethical challenges: documentary ethics and ethics of care implicate Bonnaire both as filmmaker and as sister. In turn, Sandrine and Sabine together direct those ethical challenges towards the viewer and the state.

中文翻译：

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Elle s'appelle Sabine：交叉和护理

摘要

这篇文章建议对Elle s'appelle Sabine进行别开生面的解读，考察导演 Sandrine Bonnaire 如何折叠时间。她代表她的姐姐，电影的主题，在现在和过去，但也提供了她和她的兄弟姐妹之间的比较点。这部电影有双重伦理挑战：纪录片伦理和关怀伦理暗示博内尔既是电影制片人又是姐妹。反过来，桑德琳和萨宾一起将这些道德挑战指向观众和国家。