ABSTRACT

This article explores how the techniques of surviving Atlantic slavery leave legacies of care, notably in the practice of the jardin créole (creole garden) as a counter-plantation practice of mutual distribution. By taking up Édouard Glissant’s theorisation of the jardin créole in Manthia Diawara’s documentary, Édouard Glissant: One World in Relation, the author shows how Diawara’s staging, filming and editing of Glissant’s remarks amplify how the jardin créole functions as a care web. In its visual dialogue with the jardin créole, Édouard Glissant: One World in Relation demonstrates the role of documentary film in illuminating the ethics of care.

摘要

本文探讨了幸存的大西洋奴隶制技术如何留下护理遗产，特别是在jardin créole（克里奥尔花园）的实践中，作为相互分配的反种植园实践。通过在 Manthia Diawara 的纪录片Édouard Glissant: One World in Relation中采用 Édouard Glissant 对jardin créole的理论，作者展示了 Diawara 对 Glissant 言论的分期、拍摄和编辑如何放大jardin créole如何发挥护理网的作用。在与jardin créole的视觉对话中，Édouard Glissant: One World in Relation展示了纪录片在阐明护理伦理方面的作用。