Written between 1225 and 1230 by Guillaume de Lorris and completed around 1270 by Jean de Meun, the Roman de la Rose initially presents itself as a love manual or amorous compendium.1¹ Anchored in the tradition of courtly love, Lorris’s part of the Rose is an ‘histoire allégorique’ or ‘involved allegorical and didactic tale’ that promises to serve as a sort of ars amatoria: ‘ce est li Romanz de la Rose, | ou l’art d’Amors est tote enclose’ (vv.37–38).2² In addition to this didactic orientation, the Rose’s authorial voice salutes the work’s quality and novelty, while insisting upon the veracity of the ‘bone et nueve’ material it recounts. It specifies that ‘la matire’ of which the poem is made—a dream—is also reliable and true.

中文翻译：

---

“Ou L'art d'amors est tote enclose”：梦想、真理和权威强化在洛里斯的罗马德拉罗斯中作为“加兰特”

由纪尧姆·德·洛里斯 (Guillaume de Lorris) 于 1225 年至 1230 年撰写，让·德·梅恩 (Jean de Meun) 于 1270 年左右完成，罗马德拉玫瑰最初将自己呈现为爱情手册或多情纲要。 ^{1 1}锚定在宫廷爱情的传统中，洛里斯的玫瑰部分是一个“历史寓言”或“涉及寓言和说教的故事”，有望成为一种ars amatoria：'ce est li Romanz de la Rose，| ou l'art d' Amors est tote enclose' (vv.37–38) .2 ²的作者声音向作品的质量和新颖性致敬，同时坚持它所讲述的“bone et nueve”材料的真实性。它指明了构成这首诗的“la matire”——一个梦——也是可靠和真实的。