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‘SKAM Italia did it again’. The multiple lives of a format adaptation from production to audience experience
Critical Studies in Television ( IF 0.9 ) Pub Date : 2021-12-10 , DOI: 10.1177/17496020211049363
Stefania Antonioni 1 , Luca Barra 2 , Chiara Checcaglini 2
Affiliation  

SKAM Italia, the Italian version of the Norwegian SKAM format, was first released in Spring 2018 and has reached its fourth season in May 2020, overcoming several industrial struggles and slowly engaging an increasing, young and local audience. This article aims to integrate a production–distribution and reception perspective, showing how they mutually reinforce the series’ identity: the peculiarity of SKAM’s distribution system fostered the audience’s engagement, until its complicated production history brought the series to a more conventional circulation. Mutual exchanges between professionals and audiences on a global level are always counterbalanced by national negotiations, influencing the series’ life cycle.



中文翻译:

'SKAM Italia 再次做到了'。从制作到观众体验的格式改编的多重生命

SKAM Italia是挪威SKAM格式的意大利语版本,于 2018 年春季首次发布,并于 2020 年 5 月播出第四季,克服了几次行业困境,并逐渐吸引了越来越多的年轻本地观众。本文旨在整合制作-发行和接收的角度,展示它们如何相互强化该系列的身份:SKAM发行系统的特殊性促进了观众的参与,直到其复杂的制作历史使该系列进入更传统的流通。全球范围内专业人士和观众之间的相互交流总是被国家谈判所抵消,影响着该系列的生命周期。

更新日期:2021-12-10
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