This article examines Papyrus Millingen, an important but now-lost manuscript of The Teaching of Amenemhat. The papyrus survives today in a nineteenth century facsimile, which was last published in black and white photographs in 1963. This article presents new color photographs of the facsimile, along with hieroglyphic transcription and philological commentary, which discusses not only the text but also what the facsimile’s paratextual features suggest about the ancient and modern copying processes. P. Millingen’s version of Amenemhat is contextualized within the full corpus of surviving copies of the poem. The article proposes several possible social contexts for the manuscript’s production and usage and considers the impact of those contexts, along with broader cultural trends of the Eighteenth Dynasty, on the papyrus owner’s reception of Amenemhat.

本文研究了 Papyrus Millingen，这是一份重要但现已失传的《阿梅内姆哈特的教学》手稿。纸莎草纸以 19 世纪的传真保存至今，最后一次以黑白照片形式出版是在 1963 年。本文展示了该传真件的新彩色照片，以及象形文字转录和语言学评论，不仅讨论了文本，还讨论了传真的副文本特征暗示了古代和现代的复制过程。P. Millingen 的Amenemhat版本在这首诗的幸存副本的完整语料库中进行了语境化。本文为手稿的制作和使用提出了几种可能的社会背景，并考虑了这些背景以及第十八王朝更广泛的文化趋势对纸莎草所有者对Amenemhat的接受的影响。