Illustrated and illuminated manuscripts of the Dalāʾil al-khayrāt from Southeast Asia are an invaluable resource for our understanding of the painting tradition of this region. The many copies now kept in various institutions attest to its popularity, while the lavish treatment often given to manuscripts indicates the high regard local communities had for this text. The types of images featured are similar to those from other parts of the Islamic world, yet these images, as well as the decorative illumination, also reflect local artistic styles. This paper examines a selection of Southeast Asian manuscripts of the Dalāʾil al-khayrāt dating from the eighteenth and nineteenth centuries, situating them both within the broader context of manuscript production and usage, and the pietistic landscape of the region.

来自东南亚的Dalāʾil al-khayrāt插图和插图手稿是我们了解该地区绘画传统的宝贵资源。现在保存在各个机构的许多副本证明了它的受欢迎程度，而对手稿的奢华处理表明当地社区对该文本的高度重视。特色的图像类型与伊斯兰世界其他地区的图像类型相似，但这些图像以及装饰照明也反映了当地的艺术风格。本文考察了Dalāʾil al-khayrāt的东南亚手稿选集 18 和 19 世纪，将它们置于更广泛的手稿制作和使用环境中，以及该地区的虔诚景观。