The team running the Russian Case as part of Moscow’s annual Golden Mask Festival pulled off a major feat in 2021 by organizing a five-day programme online. Deeply disappointed that the Russian Case had been cancelled in the preceding year due to the Covid pandemic, this group made it its mission to succeed in adverse circumstances; and succeed it did by providing works varied enough to engage its habitual audience, as well as people coming to the event for the first time, albeit digitally. In a departure from established practice, several productions that were performed too late to compete for the awards of the 2021 Festival appeared in this year’s Russian Case. The overview offered here gathers some works out of the choices made by Maria Shevtsova, Editor of New Theatre Quarterly, whose most recent book is Rediscovering Stanislavsky (Cambridge University Press, 2020).

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莫斯科的金面具节：俄罗斯案例（在线，2021 年）

作为莫斯科一年一度的金色面具节的一部分，负责“俄罗斯案例”的团队在 2021 年通过在线组织了一个为期五天的项目，取得了一项重大成就。对俄罗斯案件因新冠疫情在前一年被取消深感失望，该小组以在不利情况下取得成功为使命；并通过提供足够多样化的作品以吸引其习惯性观众以及首次参加活动的人们（尽管是数字化的）来取得成功。与既定惯例不同，今年的“俄罗斯案例”中出现了几部表演太晚而无法竞争 2021 年电影节奖项的作品。此处提供的概述收集了一些作品来自 Maria Shevtsova 的选择，编辑新剧场季刊, 他最近的一本书是重新发现斯坦尼斯拉夫斯基（剑桥大学出版社，2020 年）。