ABSTRACT

This paper analytically responds to the collaborative performance work Writing the Feminist Internet as a motif of fourth wave feminism. It probes at the edge of Internet dark spaces that are often occupied by those who point to complacency in engagement with networking systems, by drawing auxiliary attention to the apparatus. Further examination sheds light on the valences and anarchy of technopolitics that transpired and reflects on the call for ‘hybrid of feminist activist efforts’ noted by Emma A. Jane. Positing towards ‘a recalibrated approach to collectivism’ (2015, 285) Jane continues to give rise to a vast communal realm for the expression of alternative behaviours. In building upon the feminist ‘wave’ metaphor there is acknowledgement that the undercurrents of nautical lineages come to endure through ‘debt, or inheritance’ more often than a confluence of flows. The findings reveal that the potency of a chthonic feminist internet theory lies in its indeterminate stance. In conclusion, it is proposed that ambivalence and prominence in obscurity in such expansive ‘dark social spaces’ is where new meanings and enunciations can brew and be read as a source of critical and aesthetic ambiguity, amongst the highly revered principles of disarray, pandemonium and incompleteness.

摘要

本文分析了作为第四波女权主义主题的协作表演作品编写女权主义互联网。它通过将辅助注意力吸引到设备上，探查互联网黑暗空间的边缘，这些黑暗空间经常被那些在与网络系统接触时自满的人所占据。进一步的研究揭示了技术政治的效价和无政府状态，并反映了艾玛·A·简 (Emma A. Jane) 指出的“女权主义活动家努力的混合”的呼吁。倾向于“重新校准的集体主义方法”(2015, 285) Jane 继续为表达替代行为创造一个广阔的公共领域。在女权主义“浪潮”比喻的基础上，人们承认航海血统的暗流通过“债务，或继承”比流动的汇合更频繁。调查结果表明，一个神秘的女权主义互联网理论的效力在于其不确定的立场。总之，在如此广阔的“黑暗社会空间”中，模糊中的矛盾性和突出性是可以酝酿新含义和表述的地方，并且可以被解读为批判性和美学模糊性的来源，在高度受尊敬的混乱、混乱和不完整。