The masculinities of HBO’s Game of Thrones (2011–2019) are marked not just by violence and exploitation, but by contingency, fragility, and abjection. This article draws on theories of abjection to read the abject masculinity of Sandor Clegane, Samwell Tarly, and Theon Greyjoy in the context of theories of hegemonic and hypermasculinity, and, through Greyjoy in particular, tracks his movement from hypermasculinity, through abjection and torture, to a custodial and sacrificial and thus life-giving masculinity, which stands in profound opposition to the hegemonic masculinity of power and domination.

中文翻译：

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落魄、阳刚与牺牲：《权力的游戏》中的死亡恶臭

HBO 的《权力的游戏》（2011-2019）的阳刚之气不仅以暴力和剥削为标志，还以偶然性、脆弱性和落魄为标志。这篇文章借鉴了堕落理论，在霸权和超级男子气概理论的背景下解读了桑铎·克里冈、山姆威尔·塔利和席恩·葛雷乔伊的男子气概，特别是通过葛雷乔伊，追踪了他从超级男子气概到堕落和折磨的运动，到一种监护和牺牲，从而赋予生命的阳刚之气，它与权力和统治的霸权阳刚之气有着深刻的对立。