This article presents an alternative to archaeological object observation through an exercise in alterity and slow looking. It is inspired by the movement of Slow Archaeology, and based on the art of slow looking, perspectivism, and 16th century Japanese object aesthetics in the context of the Japanese tea ceremony. The exercise experiments with different vantage points, embodiment, and empathy related to theories of the ontological turn and non-discursive knowledge. Stimulating ourselves to employ different ways of looking can be a helpful tool in starting to think about difference and alterity, but can also possibly reach new insights on ancient object-use, performance, and perception. It can therefore form an additional instrument to formal object analyses already practiced in archaeology, as well as be a form of emancipation in education as it draws on other, non-discursive, forms of knowledge.

本文介绍了一种替代考古对象观察的方法，通过对他异性和缓慢观察的练习。它的灵感来自慢考古运动，以慢看艺术、透视主义和 16 世纪日本茶道背景下的日本物体美学为基础。与本体论转向和非话语知识理论相关的不同视角、体现和移情的练习实验。激励自己采用不同的观察方式可以成为开始思考差异和他异性的有用工具，但也可能对古代物体的使用、性能和感知获得新的见解。因此，它可以形成考古学中已经实践的正式对象分析的附加工具，