ABSTRACT

Contemporary art conservation is constantly facing challenges relating to materials of poor stability that artists incorporate in their practice, the obsolescence of technological elements within artworks, as well as the multitude of ethical issues that these artworks raise. With the conceptual aspect of artworks often being given emphasis, questions about what values exist within the context and content of the artwork, its universe, is becoming critically important. These questions have become even more complicated since the introduction of replicas created with the use of digital reproduction tools; 3D scanning, 3D printing, digital image capturing and reproduction, and wiki-style documentation methods. Using philosophical frameworks, an attempt is being made to clarify what form replicas of contemporary artworks can take and what conservators should be aware of. The analysis of the values associated with these replicas is illustrated by three case studies; street art, a time-based media artwork, and the work of an artist who specialises in 3D assisted creations. The influence of replicas of contemporary artworks in the decision-making process through their values and interaction with the original amplifies the conservator’s feeling of responsibility.

摘要

当代艺术保护不断面临与艺术家在实践中融入的稳定性差的材料、艺术品中技术元素的过时以及这些艺术品引发的众多伦理问题有关的挑战。随着艺术作品的概念方面经常受到重视，关于艺术作品的背景和内容及其宇宙中存在哪些价值的问题变得至关重要。自从引入使用数字复制工具创建的复制品以来，这些问题变得更加复杂；3D 扫描、3D 打印、数字图像捕获和复制以及 wiki 式文档方法。使用哲学框架，正在尝试澄清当代艺术品的复制品可以采用什么形式以及保护者应该注意什么。三个案例研究说明了与这些复制品相关的价值分析；街头艺术，基于时间的媒体艺术作品，以及专门从事 3D 辅助创作的艺术家的作品。当代艺术品的复制品通过其价值和与原作的互动在决策过程中的影响放大了保护者的责任感。