Abstract:

Ingeborg Bachmann's Buch Goldmann, which we have only in a fragmentary state, usually plays a subordinate role in the discussion of the author's Todesarten project. The new reading presented here is based on the fundamental thesis of an interweaving of mediality and the topos of illness as a structural textual principle with poetological relevance. The specifi c entanglement is systematically elaborated in the examination of motifs (thematization of mediality, e.g., writing), narrative strategies (e.g., case studies), and materiality of the surviving typescripts (e.g., writing errors). For theoretical reflection, the author draws upon approaches from media theory and psychoanalysis in an attempt to forge a "poetics of transference." The Buch Goldmann thus becomes comprehensible as a "laboratory," which plays a key role in the genesis of the Todesarten project. The topos of illness, so central to Bachmann's work, cannot be explained solely with recourse to the author's biography. The focus is rather on a textual surface on which various literary experimental arrangements unfold. It is not about pathology and deviance, but about processes of creativity

摘要：

Ingeborg Bachmann 的Buch Goldmann，我们只是处于零散状态，通常在作者的Todesarten项目的讨论中扮演次要角色。这里呈现的新读物是基于将中间性和疾病的主题交织在一起的基本论点，作为具有诗学相关性的结构性文本原则。具体的纠缠在主题（媒介的主题化，例如写作）、叙事策略（例如，案例研究）和幸存的打字稿的重要性（例如，写作错误）的检查中被系统地阐述。在理论反思方面，作者借鉴了媒体理论和精神分析的方法，试图打造“移情诗学”。该布赫戈德曼因此可以理解为一个“实验室”，它在Todesarten项目的起源中起着关键作用。疾病的主题对巴赫曼的工作如此重要，不能仅仅依靠作者的传记来解释。重点是在文本表面上展开各种文学实验安排。它不是关于病理和越轨，而是关于创造力的过程