A spectroscopic analysis of late 16th century domestic wall paintings in the Saracens Head Inn, Nottinghamshire, UK,Journal of Raman Spectroscopy

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A spectroscopic analysis of late 16th century domestic wall paintings in the Saracens Head Inn, Nottinghamshire, UK
Journal of Raman Spectroscopy ( IF 2.4 ) Pub Date : 2021-08-25 , DOI: 10.1002/jrs.6243
Christopher Brooke ₁ , Howell Edwards ₂ , Luiz F. C. Oliveira ₃ , Richard Telford ₄ , Alex Surtees ₄

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The mural paintings in the late medieval Saracens Head Inn, Southwell, Nottinghamshire, UK, represent an unusual survival of domestic Tudor artwork in this region. Stylistic dating puts the range of the paintings as c. 1580–1620. The artistic design and archaeological context of the paintings has been studied and paint samples extracted for microscopic, SEM-EDXS, and Raman spectroscopic analysis. In addition, portable Raman analysis was utilized. The paintings, which were only discovered in the 1980s and 1990s, hidden below later plaster, were conserved and a degree of undocumented retouching was applied. The analysis, though restricted by excessive fluorescence from many of the samples, has revealed the broad pigment palette used by the original Tudor artist(s) as well as identifying the modern pigments introduced during conservation work.

中文翻译：

英国诺丁汉郡 Saracens Head Inn 16 世纪后期国内壁画的光谱分析

英国诺丁汉郡绍斯韦尔中世纪晚期撒拉逊人海德旅馆的壁画代表了该地区本土都铎王朝艺术品的不寻常存留。文体约会将画作的范围作为c. 1580-1620 年。研究了绘画的艺术设计和考古背景，并提取了绘画样本进行显微、SEM-EDXS 和拉曼光谱分析。此外，还使用了便携式拉曼分析。这些画只在 1980 年代和 1990 年代被发现，隐藏在后来的石膏下面，被保存下来，并进行了一定程度的无证修饰。该分析虽然受到许多样本过度荧光的限制，但揭示了原都铎王朝艺术家使用的广泛颜料调色板，并确定了在保护工作中引入的现代颜料。

更新日期：2021-08-25

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