This article shares and reflects on Underwater Haiku Exquisite Corpse – a playful approach to writing and enquiry about rivers and their underwater environments. The Underwater Haiku Exquisite Corpse was an adaptation of the Surrealist exquisite corpse concept – a collaborative game in which each participant wrote or drew in response to a prompt and kept their contribution concealed until the end, when the full corpse was revealed to all contributors. We consider how our approach to exquisite corpse fostered playful co-creation and community and contributed to better understanding people’s experiences with and intuitive responses to river environments. This article blends academic writing and found poems (existing words or phrases reframed into a poem) from Underwater Haiku Exquisite Corpse, in response to calls for more creative and entangled ways to write about the world. We applied this technique, using lines of text by different Underwater Haiku Exquisite Corpse contributors and reordering lines into poems that illustrated how contributors intertwined notions of humans, rivers, and what lies below the surface. We hope that by sharing our experiences with the Underwater Haiku Exquisite Corpse, we encourage more playful approaches to geopoetics, to foster conversations across disciplines, as well as within and outside the academy.

这篇文章分享并反思了水下俳句精致尸体——一种有趣的写作和探究河流及其水下环境的方法。在水下俳句精致的尸体是超现实主义的精致尸体概念的改编-协作游戏中，每个参与者写或画了响应迅速，并保持他们的贡献隐瞒，直到最后，当满的尸体被发现于所有贡献者。我们考虑我们处理精美尸体的方法如何促进有趣的共同创造和社区，并有助于更好地理解人们对河流环境的体验和对河流环境的直观反应。这篇文章融合了学术写作和从水下俳句玲珑尸体，响应呼吁更多创造性和纠缠的方式来写世界。我们应用了这种技术，使用不同水下俳句精美尸体贡献者的文本行，并将行重新排列成诗，说明贡献者如何将人类、河流和水面以下的概念交织在一起。我们希望通过与水下俳句精美尸体分享我们的经验，我们鼓励更多有趣的地缘诗学方法，促进跨学科以及学院内外的对话。