Organ craftsmanship and music are inextricably linked with each other. In Germany, a particularly rich symbiosis between craftspeople, composers, and performing artists has evolved over the centuries. In recognizing the transmission of this intangible cultural know-how from generation to generation, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed organ craftsmanship and music together in the Representative List of the Intangible Cultural Heritage of Humanity in 2017. This article elucidates how this inscription influences the perception and self-concept of organ craftsmanship and music, both in theoretic-intellectual and in virtual terms. Complementing the qualitative content analysis of literature and documents, narrative first-hand accounts/expert interviews with organ craftspeople/organ builders have been conducted and interpreted. Taking into account a dual nexus of cultural sustainability and intangible cultural heritage, sustainable value creation, substantial claims, multi-perspective visibility, and facilitative reassurance were analyzed and assessed vis-à-vis organ craftsmanship and music. Including organ craftsmanship and music in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity demonstrates an appreciation for sustainable value creation related to the quadruple bottom-line of sustainability – that is, addressing economic, environmental, and societal aspects, including culture as a fully integrated dimension; claims substantial rights for safeguarding and invoking/activating heritage; enhances visibility of performing organists, assigned organ builders, frequent practitioners, and nominated organ experts; and enables reassurance of passion and self-positioning with organ craftsmanship and music.

中文翻译：

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声音女王陛下：管风琴工艺和音乐的文化可持续性和遗产

管风琴工艺与音乐密不可分。在德国，工匠、作曲家和表演艺术家之间特别丰富的共生关系已经发展了几个世纪。联合国教育、科学及文化组织（UNESCO）认识到这种非物质文化知识的代代相传，于2017年将管风琴工艺和音乐一起列入《人类非物质文化遗产代表作名录》。本文阐明了这种铭文如何影响风琴工艺和音乐的感知和自我概念，无论是在理论知识方面还是在虚拟方面。补充文献和文件的定性内容分析，对管风琴工匠/管风琴制造商的叙述性第一手资料/专家访谈进行了解释。考虑到文化可持续性和非物质文化遗产的双重关系，对可持续价值创造、实质性主张、多视角可见性和促进性保证进行了分析和评估相对风琴工艺和音乐。将管风琴工艺和音乐列入联合国教科文组织人类非物质文化遗产代表作名录，表明了对与可持续发展的四重底线相关的可持续价值创造的赞赏——即解决经济、环境和社会方面的问题，包括将文化作为一个完整的综合维度；要求保护和调用/激活遗产的实质性权利；提高演奏风琴师、指定的管风琴制造商、经常从业者和指定的管风琴专家的知名度；并通过管风琴工艺和音乐确保激情和自我定位。