The following study juxtaposes psychoanalytical theories of Michel de M'Uzan with paintings by the artist Jenny Saville. Their respective ideas are mutually reinforcing: Saville's works can be read as a visual representation of some of M'Uzan's concepts, specifically permanent disquiet, the spectrum of identity, and depersonalization. Both psychoanalyst and artist share a fascination with the human body and the hybridity of the human condition, eschewing binary distinctions between the self and other. Saville is interested in bodies that radiate a state of “in-betweeness”; M'Uzan finds psychic health in the ability to embrace the uncertainty that lies at the interface between ego and nonego. Both explore the possibilities of transformation within the multiple realities of our lives, and for both this is a quest for an inner truth about being human in a body.

中文翻译：

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不稳定、混杂和摇摆不定的身份：米歇尔·德·穆赞和珍妮·萨维尔关于身体中的人类的工作

以下研究将 Michel de M'Uzan 的精神分析理论与艺术家 Jenny Saville 的画作并列。他们各自的想法是相辅相成的：萨维尔的作品可以被解读为穆赞的一些概念的视觉表现，特别是永久的不安、身份的范围和人格解体. 精神分析学家和艺术家都对人体和人类状况的混合着迷，避开了自我与他人之间的二元区别。萨维尔对散发“中间”状态的身体很感兴趣。M'Uzan 在接受自我与无我之间的不确定性的能力中发现了心理健康。两者都探索了在我们生活的多重现实中转变的可能性，对于两者来说，这都是对关于在身体中成为人类的内在真理的追求。