ABSTRACT

In this article, we suggest that the psychological process of mentalization – that of perceiving and interpreting behaviour as conjoined with intentional mental states – might have a key role to play in Stanislavskian rehearsal practice, both in terms of developing relationships in the rehearsal room and in terms of interpreting dramatic characters. We discuss key concepts such as the dimensions of mentalizing, non-mentalizing modes, the mentalizing stance, and epistemic trust, and highlight the potential relevance of these to the work of the acting ensemble. Our aim is to provide practitioners, and especially those charged with leading rehearsal processes, with an introduction to mentalization, allowing them to identify mentalizing problems as they arise and to be proactive in demonstrating and encouraging effective mentalizing within the rehearsal environment.

摘要

在这篇文章中，我们建议心理化的心理过程——感知和解释行为与有意的心理状态相结合——可能在斯坦尼斯拉夫斯基的排练实践中发挥关键作用，无论是在排练室中发展关系还是在排练中解释戏剧人物的术语。我们讨论了诸如心智化、非心智化模式、心智化立场和认知信任等关键概念，并强调了这些概念与表演合奏工作的潜在相关性。我们的目标是为从业者，尤其是那些负责领导排练过程的从业者提供心智化的介绍，