In this paper, a number of lines of argument buttress and support the contention that Dirty Hands is a comparatively undervalued part of the Sartrean oeuvre. Using commentary from Bell and Pellauer, and employing categories relevant also to the work of Beauvoir and Camus, the paper comes to the conclusion that Hugo, as the central character of the play, is an exemplary Sartrean protagonist, and that the play is worthy of more attention than it has received. An important part of the central assertion is that the play is as critical a part of the Sartrean dramatic canon as The Flies and No Exit.

中文翻译：

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萨特的现象学与戏剧：脏手案

在本文中，许多论点支持并支持了以下论点，即《肮脏的手》是萨特作品中相对被低估的部分。使用贝尔和佩劳尔的评论，并使用与波伏娃和加缪的作品相关的类别，论文得出的结论是，雨果作为该剧的中心人物，是一个模范的萨特式主角，该剧值得比它受到的更多的关注。中心断言的一个重要部分是，该剧与《苍蝇与无出口》一样是萨特戏剧经典的重要组成部分。