In this article, I examine Charlie Hebdo, under the editorship of Philippe Val from 1994 to 2005, and how it reported on themes related to Islam and Muslims, both in France and abroad, particularly in relation to the satanic breasts controversy and the Hebron massacre in 1994, the Kosovo war, 9/11, and the 2005 banlieues riots in France. I argue that despite the plurality of voices within the magazine, Val succeeded through his editorial line to establish and promote a link between antisemitism and Muslims and produce a narrative that harbours Islamophobia. By conflating Arabs and Muslims, pro-Palestinianism and postcolonialism, and by arguing that anti-Semitism is inherent in Islam, Val sowed the first seeds of Islamophobia in Charlie Hebdo’s editorial line as early as 1994. This reached its culmination first in 9/11 then in the Mohamed caricatures, and has consistently and irreversibly continued to shape the magazine’s ethos.

在这篇文章中，我考察了 1994 年至 2005 年由 Philippe Val 担任主编的查理周刊，以及它如何报道与法国和国外伊斯兰教和穆斯林相关的主题，特别是关于撒旦乳房争议和希伯伦大屠杀的报道1994 年的科索沃战争、9/11 和 2005 年的法国班利埃骚乱。我认为，尽管杂志中存在多种声音，但 Val 通过他的编辑线成功地建立并促进了反犹太主义与穆斯林之间的联系，并产生了一种包含仇视伊斯兰的叙述。通过将阿拉伯人和穆斯林、亲巴勒斯坦主义和后殖民主义混为一谈，并通过论证反犹太主义是伊斯兰教所固有的，瓦尔在查理周刊播下了仇视伊斯兰的第一颗种子的编辑线早在 1994 年。这首先在 9/11 然后在穆罕默德漫画中达到了顶峰，并且一直且不可逆转地继续塑造该杂志的精神。