Over the course of two three-year research projects funded by the Swiss National Science Foundation and hosted at the Schola Cantorum Basiliensis, a team led by Agnese Pavanello has produced a substantial amount of original research on the late 15th- and early 16th-century compositional phenomenon of the motet cycle. The most famous of such cycles originated at the ducal court of Milan, with examples by some of the top composers of the day: Loyset Compère, Franchinus Gaffurius, Gaspar van Weerbeke and Josquin des Prez. Many of them survive in the famous libroni of the Milanese Duomo, four large choirbooks compiled by Gaffurius himself. The earliest of these cycles, the so-called motetti missales, were sung liturgically, with each individual motet taking the place of a chant from the Mass Ordinary or Proper. In the middle of the cycle is often a motet or motet section of chordal homophony meant to coincide with the Elevation.

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Motet Cycles 数据库和 Gaffurius Codices Online

在由瑞士国家科学基金会资助并在 Schola Cantorum Basiliensis 主持的两个为期三年的研究项目的过程中，由 Agnese Pavanello 领导的团队对 15 世纪末和 16 世纪初的成分进行了大量原创研究。经文循环现象。最著名的此类循环起源于米兰公爵宫廷，当时一些顶级作曲家的例子包括：洛伊塞特·康佩尔、弗兰奇努斯·加夫里乌斯、加斯帕·范·韦贝克和乔斯金·德·普雷兹。他们中的许多人在米兰大教堂的著名图书馆中幸存下来，这是由 Gaffurius 本人编写的四本大型合唱书。这些周期中最早的，即所谓的motetti 误售, 是在礼仪中演唱的，每个单独的颂歌都取代了弥撒普通或适当的颂歌。在循环的中间通常是一个和弦谐音的经文或经文部分，意在与高程重合。