This article explores the work of choreographer Dianne McIntyre as an improvisational artist entangled in questions of intermedial relations among sounds and motions. It discusses the terms of performance in relation to emergent paradigms of Afro-pessimism, and argues for a black regard as a method of engaging with experimental performances by artists of African descent. The article explores theoretical terms of witness and encounter with black performance in relation to queer alterities, and non-normative modes of physical expression. The article suggests further need for research into the work of an outstanding black American female artist of theatre and dance.

中文翻译：

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中间性和酷儿非裔美国人即兴创作：黛安·麦金太尔，声音在运动中

本文探讨了编舞 Dianne McIntyre 作为一名即兴艺术家的作品，她深陷声音和动作之间的中介关系问题。它讨论了与新兴的非洲悲观主义范式相关的表现条款，并主张黑视作为一种参与非洲裔艺术家实验表演的方法。这篇文章探讨了与酷儿异性和非规范的身体表达方式有关的见证和遭遇黑人表演的理论术语。文章建议进一步研究一位杰出的美国黑人女性戏剧和舞蹈艺术家的作品。