The tragedies taking place within the waters of the Mediterranean, and the simultaneous reassessment of social and cultural politics inside Europe, call for our attention as scholars, and as art practitioners in the region. I will traverse this area to discuss some choreographic experimentations dealing with migration issues, and to prove how acts of listening in performance can emerge out of a racist narrative, allowing practices of corporeal hospitality to be envisioned. The sonic dimension is here perceived as the sharing of an event that occurs in the body, and among the bodies, and reverberates in multiple dimensions and directions. At the crossroads of post-colonial and performance studies, this article engages with listening as a political and creative act for both engendering and perceiving alternative ways of choreographing hospitality in the Mediterranean area.

中文翻译：

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跳舞迁移，发出声音：地中海的聆听和款待实践

发生在地中海水域的悲剧，以及同时对欧洲内部社会和文化政治的重新评估，呼吁我们作为学者和该地区的艺术从业者予以关注。我将穿越这个领域，讨论一些处理移民问题的舞蹈实验，并证明表演中的倾听行为如何从种族主义叙事中浮现出来，从而可以设想有形的招待实践。声音维度在这里被认为是发生在身体中和身体之间的事件的共享，并在多个维度和方向上回响。在后殖民和表演研究的十字路口，