Reassembled, Slightly Askew (RSA) is an audio theatre work which takes the audience through the visceral and embodied experience of Shannon Yee (Sickels) as she lives through a catastrophic brain infection and surgery, and eventually (as the title indicates) reassembles herself, and familiarizes herself with her acquired brain injury. Audience members experience RSA lying in hospital beds, wearing eyemasks and headphones. Sonically you, as audience member, are situated within the body of Shannon. Your focus is directed to the corporeal experience as told through sound and spoken text, providing a first-person perspective on the experience of acquiring an invisible disability. The project broke new methodological ground for the interdisciplinary artistic team, requiring a high level of collaboration and interweaving of the artists’ respective expertise: writing, directing, choreography, sound design and dramaturgy. Throughout the process of exploration and making, a seamless relay happened naturally as to which art form was leading in the discoveries and decisions. In this dossier, the artists replicate this relay to share insights from their own perspective in the creation of the project and its particular challenges in developing a highly visceral and corporeal experience through sound.

中文翻译：

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重新组装，略微歪斜：通过声音进行沉浸式讲故事

重新组装，略微歪斜 (RSA)是一部音频戏剧作品，带观众体验香农 (Sickels) 在经历了一场灾难性的脑部感染和手术时的内心和具体体验，并最终（如标题所示）重新组装自己，并熟悉她后天的大脑受伤。观众会员体验RSA躺在病床上，戴着眼罩和耳机。从声音上讲，作为观众的你，就在香农的身体里。您的重点是通过声音和口语文本讲述的物质体验，提供关于获得无形残疾体验的第一人称视角。该项目为跨学科艺术团队开辟了新的方法论基础，需要艺术家各自专业知识的高水平合作和交织：写作、导演、编舞、声音设计和戏剧。在探索和制作的整个过程中，自然而然地发生了一种无缝接力，即哪种艺术形式在发现和决策中处于领先地位。在这份档案中，