Gabriela Aceves Sepúlveda’s Women Made Visible: Feminist Art and Media in Post-1968 Mexico City is an important addition to the growing body of scholarship focusing on women artists/activists during a tumultuous period in Mexico’s history. Indeed, recent curatorial and art historical efforts have brought new levels of attention to feminist artists working in Mexico throughout the 1970s and 1980s. Most notably, the exhibition Radical Women: Latin American Art, 1960–1985 (2017), curated by Cecilia Fajardo-Hill and Andrea Giunta, showcased the innovative and experimental artistic projects developed by women and feminist artists in Mexico, positioning these efforts within a larger Latin American context. Aceves Sepúlveda contributes to these emerging examinations by employing an interdisciplinary framework to study four women—Ana Victoria Jiménez, Rosa Martha Fernández, Pola Weiss and Mónica Mayer—examining their work in relation to the artistic and activist context of late twentieth-century Mexico.

中文翻译：

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书评：女性可见：1968 年后墨西哥城的女权主义艺术和媒体，加布里埃拉·阿塞维斯·塞普尔韦达 (Gabriela Aceves Sepulveda)

Gabriela Aceves Sepúlveda 的《女性可见：1968 年后墨西哥城的女性主义艺术和媒体》是墨西哥历史动荡时期越来越多的关注女性艺术家/活动家的奖学金机构的重要补充。事实上，最近的策展和艺术史工作使 1970 年代和 1980 年代在墨西哥工作的女权主义艺术家受到了新的关注。最引人注目的是展览激进女性：拉丁美洲艺术，1960-1985（2017 年）由 Cecilia Fajardo-Hill 和 Andrea Giunta 策展，展示了墨西哥女性和女权主义艺术家开发的创新和实验性艺术项目，将这些努力置于更大的拉丁美洲背景下。Aceves Sepúlveda 通过采用跨学科框架研究四位女性——Ana Victoria Jiménez、Rosa Martha Fernández、Pola Weiss 和 Mónica Mayer，为这些新兴考试做出了贡献，研究了她们与 20 世纪后期墨西哥的艺术和激进主义背景相关的工作。