Since the discoveries of the first Dead Sea Scrolls, the motif of a communion with the angels has been repeatedly emphasized and discussed as a characteristic of the self-understanding of the community behind these writings. Of particular interest in this discussion are the Songs of the Sabbath Sacrifice (4Q400–407; 11Q17; and Mas1k ShirShabb). However, the origin of the so-called Angelic Liturgy is still an unresolved question in scholarship. In this article we will try to figure out the relationship of the Songs of the Sabbath Sacrifice to the sectarian literature by analyzing the communion with the angels described therein. I will demonstrate that this composition has the most explicit connections to the liturgical communion with the angels that is uniquely found in undisputed sectarian texts. The Angelic Liturgy is then not so much the source, but much more an example of the liturgical development inside the yaḥad.

自从第一部死海古卷被发现以来，与天使共融的主题一直被反复强调和讨论，这是这些著作背后社区的自我理解的一个特征。本次讨论特别感兴趣的是安息日献祭之歌（4Q400-407；11Q17；和 Mas1k ShirShabb）。然而，所谓天使礼仪的起源，在学术界仍是一个悬而未决的问题。在本文中，我们将通过分析与其中描述的天使的共融，试图找出安息日牺牲之歌与宗派文学的关系。我将证明这个作品与与天使的礼仪交流有着最明确的联系，这种联系在无可争议的宗派文本中是独一无二的。天使礼仪不是那么重要的来源，yaḥad。