Sarah Frankcom worked at the Royal Exchange Theatre in Manchester between 2000 and 2019, and was the venue’s first sole Artistic Director from 2014. In this interview conducted in summer 2019, she discusses her time at the theatre and what she has learned from leading a major cultural organization and working with it. She reflects on a number of her own productions at this institution, including Hamlet, The Skriker, Our Town, and Death of a Salesman, and discusses the way the theatre world has changed since the beginning of her career as she looks forward to being the director of LAMDA. Rachel Clements lectures on theatre at the University of Manchester. She has published on playwrights Caryl Churchill and Martin Crimp, among others, and has edited Methuen student editions of Lucy Prebble’s Enron and Joe Penhall’s Blue/Orange. She is Book Reviews editor of NTQ.

中文翻译：

---

在曼彻斯特皇家交换剧院的对话中

Sarah Frankcom 于 2000 年至 2019 年间在曼彻斯特的皇家交易所剧院工作，并从 2014 年起成为该场地的第一位唯一艺术总监。在 2019 年夏季进行的这次采访中，她讨论了她在剧院的时光以及她从领导一个专业中学到的东西文化组织并与之合作。她回顾了自己在该机构的一些作品，包括村庄,斯克里克,我们的城市， 和推销员之死，并讨论了自她职业生涯开始以来戏剧界发生的变化，因为她期待成为 LAMDA 的导演。雷切尔克莱门茨在曼彻斯特大学讲授戏剧。她曾在剧作家 Caryl Churchill 和 Martin Crimp 等人的著作中发表过文章，并编辑了 Lucy Prebble 的 Methuen 学生版安然和乔·彭霍尔的蓝色/橙色。她是书评编辑新台币。