In this article Eva Urban describes a historical tradition of Breton enlightenment theatre, and examines in detail two multilingual contemporary plays staged in Brittany: Merc’h an Eog / Merch yr Eog / La Fille du Saumon (2016), an international interceltic co-production by the Breton Teatr Piba and the Theatr Genedlaethol Cymru (the Welsh-language national theatre of Wales); and the Teatr Piba production Tiez Brav A Oa Ganeomp / On avait de jolies maisons (2017). She examines recurring themes about knowledge, enlightenment journeys, and refugees in Brittany in these plays and performances, and presents the argument that they stage cosmopolitan and intercultural philosophical ideas. Eva Urban is Senior Research Fellow at the Senator George J. Mitchell Institute for Global Peace, Security and Justice, Queen's University Belfast. She has held a Région de Bretagne Postdoctoral Research Fellowship at the Centre for Breton and Celtic Studies, University of Rennes 2, a research lectureship in the English Department, University of Rennes 2, and a British Academy Postdoctoral Fellowship at the University of Cambridge. She is the author of Community Politics and the Peace Process in Contemporary Northern Irish Drama (Peter Lang, 2011) and has published articles in New Theatre Quarterly, Etudes Irlandaises, Caleidoscopio, and chapters in book collections.

中文翻译：

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布列塔尼的多语种剧院：凯尔特启蒙运动和世界主义

在这篇文章中，Eva Urban 描述了布列塔尼启蒙剧院的历史传统，并详细研究了在布列塔尼上演的两部多语种当代戏剧：Merc'h an Eog / Merch yr Eog / La Fille du Saumon（2016 年），由 Breton Teatr Piba 和 Theatr Genedlaethol Cymru（威尔士的威尔士语国家剧院）联合制作的国际间的联合制作；和皮巴剧院的制作Tiez Brav A Oa Ganeomp / On avait de jolies maisons（2017）。她在这些戏剧和表演中审视了关于布列塔尼的知识、启蒙之旅和难民的反复出现的主题，并提出了他们上演国际化和跨文化哲学思想的论点。Eva Urban 是贝尔法斯特女王大学参议员乔治·J·米切尔全球和平、安全与正义研究所的高级研究员。她曾在雷恩第二大学布列塔尼和凯尔特研究中心获得布列塔尼地区博士后研究奖学金，在雷恩第二大学英语系担任研究讲师，并在剑桥大学获得英国学院博士后奖学金。她是作者当代北爱尔兰戏剧中的社区政治与和平进程(Peter Lang, 2011) 并在新剧场季刊,爱尔兰练习曲,万花筒，以及书籍收藏中的章节。