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Drumming Asian America: Taiko, Performance, and Cultural Politics. By Angela K. Ahlgren. New York: Oxford University Press, 2018.
Journal of the Society for American Music ( IF 0.2 ) Pub Date : 2020-11-01 , DOI: 10.1017/s1752196320000358
Jennifer Milioto Matsue

1. Indicatively, in these journal articles the authors are tracing the changes evidenced in the field of the performing arts during the crisis and document new trends that emerged such as the artistic occupation of the Embros theater that became an open forum for artists (Argyropoulou 2012), the rise of collaborative practices (Tsintziloni and Panagiotara 2015), an intense focus on the body and physical practices (Tzartzani 2014), or the emergence of precarious aesthetics in response to budget cuts (Zervou 2017). 2. Examples of unpublished dissertations on dance and the Greek crisis include Betina Panagiotara (2017) and Natalie Zervou (2015). Panagiotara focuses on the shifts observed in artistic practices, structures of production, and discourses of precarity surrounding the practice of dance during the crisis. She tracks several case studies with diverse foci such as prestigious festivals hosting dance performances, the practice of writing about dance, or choreographic collectives and collaborations. Zervou employs an ethnographic approach to document how perceptions of national identity, citizenship, and the racial construction of Greekness shifted during the crisis. Using dance works presented in the first half of the crisis (2010–2015), she theorizes contemporary dance performances as the primary sites for negotiating Greekness during the crisis.

中文翻译:

击鼓亚裔美国人:太鼓、表演和文化政治。作者:Angela K. Ahlgren。纽约:牛津大学出版社,2018 年。

1. 在这些期刊文章中,作者正在追踪危机期间表演艺术领域的变化,并记录出现的新趋势,例如 Embros 剧院的艺术占领成为艺术家的开放论坛(Argyropoulou 2012 )、协作实践的兴起(Tsintziloni 和 Panagiotara 2015)、对身体和身体实践的强烈关注(Tzartzani 2014),或因预算削减而出现的不稳定美学(Zervou 2017)。2. 关于舞蹈和希腊危机的未发表论文的例子包括 Betina Panagiotara (2017) 和 Natalie Zervou (2015)。Panagiotara 专注于在艺术实践、生产结构和危机期间围绕舞蹈实践的不稳定话语中观察到的变化。她跟踪了几个具有不同焦点的案例研究,例如举办舞蹈表演的著名节日、关于舞蹈的写作实践或编舞集体和合作。泽尔沃采用人种学方法来记录在危机期间对国家身份、公民身份和希腊人的种族建构的看法是如何转变的。她利用危机前半期(2010-2015 年)呈现的舞蹈作品,将当代舞蹈表演理论化为危机期间与希腊人谈判的主要场所。希腊人的种族结构在危机期间发生了变化。她利用危机前半期(2010-2015 年)呈现的舞蹈作品,将当代舞蹈表演理论化为危机期间与希腊人谈判的主要场所。希腊人的种族结构在危机期间发生了变化。她利用危机前半期(2010-2015 年)呈现的舞蹈作品,将当代舞蹈表演理论化为危机期间与希腊人谈判的主要场所。
更新日期:2020-11-01
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