Many recent commentators have noticed how Adorno, in his late works, borrows Kant’s definition of enlightenment to define key areas of his own critical practice. These discussions, however, have failed to notice how these late borrowings present an image of Kant’s enlightenment which is diametrically opposed to his previous discussions. By tracing the development of Adorno’s engagement with Kant’s essay, I discover Adorno deliberately sublating Kant’s definition as to enable its incorporation into his own works. Further, the article will examine some problems which appear to arise for Adorno when borrowing Kant’s definition of enlightenment in his late works, which coalesce around the topics of negativism and the prospects for societal change.

中文翻译：

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走向无拘无束的批判：阿多诺对康德启蒙的挪用与转化

许多最近的评论家已经注意到阿多诺在他的后期作品中是如何借用康德对启蒙的定义来定义他自己批判实践的关键领域的。然而，这些讨论没有注意到这些后期的借用如何呈现出康德启蒙的形象，这与他之前的讨论截然相反。通过追溯阿多诺与康德论文的接触发展，我发现阿多诺故意扬弃康德的定义，以便将其纳入自己的作品中。此外，本文将探讨阿多诺在借用康德晚期作品中对启蒙的定义时出现的一些问题，这些问题围绕否定主义的主题和社会变革的前景结合起来。