Abstract:Beginning with a brief rumination on a series of works produced by the artist Glenn Ligon in the late 1990s, this article considers a special double-issue of GLQ edited by Richard Meyer and David Román dedicated to unspooling "visual objects and cultural episodes as a queer way of knowing." Visual culture, art, and performance are all represented in the collected articles, and questions of the archive reappear throughout the double-issue, at once marking a particular discursive vein in queer theory (the "archival turn") while pointing to the methodological problems of doing queer history.

中文翻译：

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摘要：本文首先简要回顾了艺术家 Glenn Ligon 在 1990 年代后期创作的一系列作品，并考虑了由 Richard Meyer 和 David Román 编辑的 GLQ 特刊双刊，致力于将“视觉对象和文化情节作为一种奇怪的认识方式。” 视觉文化、艺术和表演都在文集中得到体现，档案问题在双刊中反复出现，在指向方法论问题的同时，同时标志着酷儿理论（“档案转向”）中的一个特定的话语脉络。做酷儿历史。