The Cabin in the Woods (2011) is a highly self-reflexive movie that is aware of its generic roots. In particular, the film struggles with the meaning of “the woods” in the horror genre. Cabin ’s central twist in this respect is that the titular “woods” are not untamed nature, but rather a place of artifice. Cabin ’s woods are not uncanny because they are far removed from “civilization,” but rather exactly because they are part of it. The film’s emphasis on the artificiality of nature suggests that the concept of “nature” is exactly that—a concept, a cultural construct, loaded with meaning. The film’s ending envisions the end of that discursive construct—but for that to happen, humankind must vanish.

中文翻译：

---

在人类世粉碎生命？在森林小屋中摧毁模拟的“自然”

The Cabin in the Woods (2011) 是一部高度自我反省的电影，它意识到它的一般根源。尤其是，这部电影在恐怖类型中与“树林”的含义作斗争。Cabin 在这方面的核心转折是名义上的“树林”不是野性的自然，而是一个巧妙的地方。小屋的树林并不神秘，因为它们远离“文明”，而恰恰是因为它们是“文明”的一部分。这部电影强调自然的人造性，这表明“自然”的概念就是这样——一个概念、一个文化结构，充满意义。影片的结局设想了这种话语结构的终结——但要实现这一点，人类必须消失。