Rites and myths are important parts of the identity and the culture of every nation. Iranian rites and performing arts, as a part of Iranian art and culture, which has always got attention throughout history, can help us recognize ancient Iranian culture and history. Cinema, among other interactive arts, has sometimes been able to portray ritual arts well. Travellers, made by Bahram Beyzai, is one of the most prominent examples of the visualization of ritual arts in Iran, because the movie consists of three parts, like the three theaters, in which the rites are portrayed as the main story of the movie, and the Persian culture and customs have been exhibited. This paper, which its research method is descriptive-analytical, examines the standing of rites and ritual arts in Travellers movie and analyzes its atmosphere regarding to performing rituals. Its scene design changes as the script process, so that the application of elements such as light and color, and their intensity and reduction in different mental conditions, from pleasure to mourning, has been considered wisely, and the atmosphere has a dramatic impact on the audience in different scenes. The lighting and the coloring of the scenes in the movie, indicates a tribute to beliefs and faith in rites and ritual arts.

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伊朗表演艺术仪式的分析研究，以旅行者为例

仪式和神话是每个国家的身份和文化的重要组成部分。伊朗的仪式和表演艺术作为伊朗艺术和文化的一部分，在历史上一直受到关注，可以帮助我们认识古老的伊朗文化和历史。在其他互动艺术中，电影有时能够很好地描绘仪式艺术。由 Bahram Beyzai 制作的 Travellers 是伊朗仪式艺术形象化最突出的例子之一，因为这部电影由三个部分组成，就像三个剧院，其中仪式被描绘成电影的主要故事，并展示了波斯文化和习俗。本文采用描述分析法的研究方法，考察了《旅者》电影中仪式和仪式艺术的地位，并分析了其表演仪式的氛围。它的场景设计随着剧本的进程而变化，使光、色等元素的运用，以及它们在不同心理状态下的强度和减少，从愉悦到哀悼，都得到了明智的考虑，气氛对画面产生了巨大的影响不同场景的观众。电影中场景的灯光和色彩，表明了对仪式和仪式艺术的信仰和信仰的致敬。