In this article I examine the theatre production of Salute, Spain! by A. Afinogenov, in Leningrad, 1936, with music by Shostakovich. Afinogenov's heroic and romantic piece was a response to the struggle of the Spanish people against fascism, and was perceived by the ideologues of Soviet culture as a gift to the Extraordinary VIII All-Union Congress of Soviets of the USSR, which approved the new (‘Stalin’) constitution. I show how the play was then removed for ideological reasons in connection with the persecution of Afinogenov and his exclusion from the Party. Inspired by the ideological attitudes of the political system, this work about the opposition of the Spanish people to fascism was banned and never returned to the stage. Finally, I examine the fate of Shostakovich's musical score, returned to him from the Drama Theater upon his request in 1964, and suggest that his revived interest in his music, written 30 years earlier, coincided with a wave of information in the Soviet press about political events in Spain in the mid-1960s.

在这篇文章中，我研究了西班牙敬礼的戏剧制作！A. Afinogenov 于 1936 年在列宁格勒创作，肖斯塔科维奇作曲。阿菲诺格诺夫的英雄而浪漫的作品是对西班牙人民反法西斯斗争的回应，被苏联文化理论家视为送给苏联苏维埃全联盟第 8 次特别代表大会的礼物，该大会批准了新的（”斯大林'）宪法。我展示了该剧是如何因意识形态原因与阿菲诺格诺夫受迫害和他被开除党籍有关的原因而被取消的。这部关于西班牙人民反对法西斯主义的作品受到政治体制意识形态态度的启发，被取缔，再也没有重返舞台。最后，我考察了肖斯塔科维奇的乐谱的命运，肖斯塔科维奇于 1964 年应他的要求从戏剧剧院归还给他，并建议他重新对他的音乐产生兴趣，