Abstract

The question of the body spans across the work of Jean-Luc Nancy, from Noli me tangere, to Corpus and Jacques Derrida’s dialogue with Nancy in On Touching. In constant conversation with Christianity (“This is my body” or Dis-Enclosure), corporeality in Nancy can be summarised using the figure of the “exposed body (corps ex-peausé)”: a demonstration of the surface of the skin (peau) and an exposition of the self to the other in the sense of a “staging” (Corpus). In my work, the concept of the “spread body,” situated between Descartes’ “extended body” and Husserl’s “lived body,” is also one of a confrontation with the “This is my body” of Christianity (The Wedding Feast of the Lamb). In confronting one with the other, it is a matter of seeing how my expansion of the body, says something different than, or articulates differently, Jean-Luc Nancy’s exposition of the body, this time drawn from the biological side though nevertheless without ceasing to be intentional. It is certainly a matter of philosophy, but also of ethics, in the possibility of describing such a body, especially in the suffering situation of palliative care (Ethics of the Spread Body).

摘要

身体的问题跨越了让-吕克·南希的作品，从Noli me tangere，到Corpus和雅克·德里达在On Touching 中与 Nancy 的对话。在与基督教不断的对话（“这是我的身体”或派息-外壳），形体南锡可以使用的数字来概括“身体暴露（军团前peausé）”：皮肤表面的演示（PEAU ) 以及在“舞台”(语料库)的意义上向他人展示自我。在我的作品中，介于笛卡尔的“延展的身体”和胡塞尔的“活的身体”之间的“展开身体”的概念，也是与基督教“这是我的身体”的对抗之一。羔羊的婚宴）。在一个人与另一个人面对面时，问题在于我的身体的扩张如何，说出了与让-吕克·南希对身体的阐述不同的东西，或者以不同的方式表达，这一次是从生物学方面得出的，尽管如此，但并没有停止是故意的。这当然是一个哲学问题，也是一个伦理问题，在描述这样一个身体的可能性方面，特别是在姑息治疗的痛苦情况下（传播身体的伦理）。