ABSTRACT

This article focuses on the topic of minor intimacies or attachments in the work of Berthe Morisot (1841–95). By analysing three inter-connected areas in Morisot, namely the absorbed self, female friendship and the material history of painting, and by comparing the works studied with other well-known Impressionist paintings by Manet and Renoir, and how each area impacts upon spectatorship, this article shows the importance of intimacy as a critical tool with which to gain a more complete understanding of modern life and art in late nineteenth-century France.

中文翻译：

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次要亲密关系和贝尔特·莫里索的艺术：印象派、女性友谊和旁观者

摘要

本文重点讨论 Berthe Morisot (1841–95) 作品中的次要亲密关系或依恋主题。通过分析莫里索的三个相互关联的领域，即吸收的自我、女性友谊和绘画的物质史，并将研究的作品与马奈和雷诺阿的其他著名印象派绘画进行比较，以及每个领域对观众的影响，本文展示了亲密关系作为一种重要工具的重要性，通过它可以更全面地了解 19 世纪晚期法国的现代生活和艺术。