I will briefly recount the histories of three individuals who were exhibited for White audiences, to consider the role that the White spectator has in the construction of White supremacist ideology that casts Whiteness as norm and Blackness as deviant curiosity. Drawing from womanist scholarship, I will argue that the White theological canon and White-centric scholarship actively perpetuate this legacy. In conclusion I analyze the theology syllabi collected in the Wabash/AAR database to expose the ongoing construction of White supremacist ideologies within the theology classroom.

中文翻译：

---

展览商业、白色的构建和神学杂耍

我将简要叙述为白人观众展出的三个人的历史，以考虑白人观众在构建白人至上主义意识形态中所扮演的角色，该意识形态将白人视为常态，将黑人视为异常好奇心。借鉴女性主义学术，我认为白人神学经典和以白人为中心的学术积极地延续了这一遗产。总之，我分析了 Wabash/AAR 数据库中收集的神学教学大纲，以揭示神学课堂中白人至上主义意识形态的持续构建。