“Palate Poetry, Kitchen Truths: Coming Home to Cooking” is a long essay comprising non-didactic philosophical reflections on the wisdom of home cooking attained over the first three months spent in Covid-19 lockdown I make a case for home cooking and home eating as an experiential strategy that can, mutatis mutandis, alert us to ontologies and knowledge systems that resist the seeming inexorability of neoliberal, millennial urbanised living I do so without holding forth any normative rejection of technology and other exigencies of modern living;and gesture instead towards an inclusive paradigm where machines can be applied towards a promotion of food making and food sharing that is ethical, cosmopolitan, community-minded, ecologically aware, and yet forward-looking The auto-ethnographic methodology covers both the analytical prose and the interspersed poems it provides a discursive matrix for I found myself planting these poems (and accompanying images of food from my kitchen) at strategic moments in the argumentation so as to allow the reader, experimentally, a detour and respite from the critical density of the prose I suppose I am experimenting with the possibility of treating of the same subject in different mediums and then gathering them back into the fold of the personal, reflective essay © AesthetixMS 2020

中文翻译：

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味觉故事，厨房真相：在 Covid 时代回家做饭

“Palate Poetry, Kitchen Truths: Come Home to Cooking”是一篇长篇文章，其中包含对在 Covid-19 封锁的前三个月中获得的家庭烹饪智慧的非教学哲学反思我为家庭烹饪和家庭饮食提出了理由作为一种体验策略，可以比照更正地提醒我们注意本体论和知识系统，这些系统抵制新自由主义、千禧一代城市化生活的表面上的不可抗拒性，我这样做并没有对技术和现代生活的其他紧急情况提出任何规范性拒绝；而是向一种包容性范式，其中机器可用于促进符合道德、国际化、社区意识、生态意识的食品制作和食品共享，并且具有前瞻性 自动民族志方法涵盖了分析散文和散布的诗歌，它为我发现自己在论证的关键时刻种植这些诗歌（以及厨房里的食物图像）提供了一个话语矩阵，以便允许读者通过实验从散文的批判密度中绕道和喘息 我想我正在尝试在不同的媒介中处理同一主题的可能性，然后将它们重新收集到个人的反思性文章的折叠中 © AesthetixMS 2020年从散文的批判密度中绕道而行，我想我正在尝试在不同的媒介中处理同一主题的可能性，然后将它们重新收集到个人反思性文章的折叠中 © AesthetixMS 2020从散文的批判密度中绕道而行，我想我正在尝试在不同的媒介中处理同一主题的可能性，然后将它们重新收集到个人反思性文章的折叠中 © AesthetixMS 2020