In this article, I analyze Heidegger’s marginalia in his personal copy of the 1946 Zurich edition of poems by Georg Trakl, which I discovered several years ago while conducting research in the castle of Heidegger’s hometown of Meßkirch. Although Heidegger’s marginalia in this volume are not extensive, they are significant for three reasons: they provide valuable insight into his reading of the spirit of Trakl’s poetic work and into the place in which Heidegger situates it; they frequently shed light on topics often left in the shadows by Heidegger and his expositors, topics such as (auto)biography, sexual difference, and Christianity; and they bear on Heidegger’s lifelong engagement with the status of being and even, at times, seem to call into question his published positions on it.

在这篇文章中，我分析了海德格尔 1946 年苏黎世版乔治·特拉克 (Georg Trakl) 诗歌的个人抄本中的边际现象，这是我几年前在海德格尔故乡梅斯基希 (Meßkirch) 的城堡中进行研究时发现的。尽管海德格尔在本书中的边际并不广泛，但它们之所以重要有以下三个原因：它们为他对特拉克尔诗歌作品精神的解读以及海德格尔所处的位置提供了宝贵的见解；他们经常阐明海德格尔及其阐释者经常留在阴影中的话题，如（自）传、性别差异和基督教等话题；它们与海德格尔终生参与的存在状态有关，甚至有时似乎对他已发表的关于存在状态的立场提出质疑。