The implementation of intersectional frameworks and political priorities have proven challenging for social movements. Drawing on a case study of queer cabaret and insights garnered through a combination of field observation, semi-structured interviews, and cultural artifacts, I introduce the concept of intersectional prefigurative politics as a theoretical tool for understanding how social movement actors build collectivity and engage in consciousness raising informed by a commitment to intersectional social justice. By distinguishing movement spaces from other social spaces, unsettling hegemonic power relations through a commitment to accessibility and care, and centering marginalized peoples, queer cabaret movement actors build collectives and raise consciousness informed by intersectional politics.

事实证明，实施交叉框架和政治优先事项对社会运动具有挑战性。利用酷儿歌舞表演的案例研究和通过实地观察、半结构化访谈和文化产物相结合获得的见解，我介绍了交叉预喻政治的概念，作为理解社会运动参与者如何建立集体和参与的理论工具通过对交叉社会正义的承诺提高意识。通过将运动空间与其他社会空间区分开来，通过对可达性和关怀的承诺来扰乱霸权权力关系，以及以边缘化人群为中心，酷儿歌舞表演运动的参与者建立了集体，并提高了受交叉政治影响的意识。