ABSTRACT

African American poet Langston Hughes worked as a press correspondent during the Spanish civil war. This experience left an imprint in his production and particularly in his poetry, giving light to significant advances in his entwinement of race, gender, and identity. The acclaimed diversity of Hughes’ feminine models, and his inclusive stance find difficult accommodation in the poetic corpus about Spain. Using a critical appraisal of race, class and gender divisions, the poetic representation of female characters is discussed attending to their different forms of inclusion and exclusion. Their relationship with later developments in Hughes’ poetic construction of African American female agency is assessed, and the singularity of certain characters in the Spanish corpus is explored. Finally, conclusions are drawn to demonstrate the relevant and understudied contributions of this corpus for the better understanding of Hughes’ feminine universe as a whole.

摘要

非裔美国诗人兰斯顿休斯在西班牙内战期间担任新闻记者。这段经历在他的作品，特别是他的诗歌中留下了印记，使他在种族、性别和身份的交织方面取得了重大进展。休斯的女性模特广受赞誉的多样性，以及他包容的立场，在关于西班牙的诗意语料库中很难适应。通过对种族、阶级和性别划分的批判性评估，讨论了女性角色的诗意表现，关注她们不同形式的包容和排斥。评估了他们与休斯对非裔美国女性机构的诗意建构的后期发展的关系，并探讨了西班牙语料库中某些人物的独特性。最后，