This final issue of this turbulent year across the globe contains a mixed set of articles, the first three of which address theories and practices to be found in “dance and . . .” through time from the late 1960s, the 1970s, and 2016. The following three articles turn the clock back again to consider particular features of American modern dance, then Ballet Russes and blackface, and Genevieve Stebbins in the period of “the Gilded Age” whom, it is argued, is envisioned as the “new” dancer.

中文翻译：

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编者注

今年全球动荡的这一年的最后一期包含一组混合文章，其中前三篇涉及“舞蹈和舞蹈”中的理论和实践。. 。” 时间跨度从 1960 年代末、1970 年代和 2016 年开始。以下三篇文章将时间倒流，考虑美国现代舞的特殊特征，然后是芭蕾舞团和黑脸，以及“镀金时代”时期的吉纳维芙·斯特宾斯（Genevieve Stebbins）。有人认为，被设想为“新”舞者。