This essay examines Jay Pather's site-specific workCityscapes(2002) within a theoretical discussion of the conjuncture and disjuncture of space and race in South Africa. Jay Pather, a South African of Indian ancestry, an innovative choreographer and curator of site-specific works, creatively uses space to inspire social change by providing access and challenging exclusions—social, cultural, political—of black and colored South Africans during apartheid (1948–1994) and after. A progressive vision underlies his avant-garde work expressed via a hybrid choreographic palette of South African classical and popular dance styles, Indian classical dance, modern and contemporary dance. His choreography is performed across South Africa and the African continent as well as in Denmark, Mumbai, and New York City.

中文翻译：

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Jay Pather 重新构想特定地点的归属制图

这篇文章考察了 Jay Pather 的特定站点工作城市景观（2002 年）在对南非空间与种族的结合与分离的理论讨论中。杰伊·帕瑟（Jay Pather）是一位拥有印度血统的南非人，他是一位创新的编舞家和特定场地作品的策展人，他创造性地利用空间来激发社会变革，通过在种族隔离期间为南非黑人和有色人种提供访问和挑战社会、文化、政治方面的排斥（社会、文化、政治）（ 1948–1994) 及以后。一种进步的视野是他前卫作品的基础，通过南非古典和流行舞蹈风格、印度古典舞蹈、现代和当代舞蹈的混合编排调色板来表达。他的舞蹈在南非和非洲大陆以及丹麦、孟买和纽约市进行。