Although royal entries have long been studied by scholars, those undertaken by nobles and other political figures have generally attracted less attention. This is particularly true in musicological literature, a fact undoubtedly attributable to the paucity of surviving documentation on this topic. Yet music often played an important part in these spectacles, both by underlining the dignitary’s status and by enhancing key components of the symbolism deployed. Rather than concentrating on one particular event, this article brings together information about as many entries as possible made by such figures into French cities in the late sixteenth and early seventeenth centuries. This enables us to make general observations about the types of music used in these events (such as fanfares, Te Deums and dance music) in order to draw possible connections with extant musical sources, and also to ponder why certain musical elements mattered more than others to the contemporaries describing these occasions.

中文翻译：

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'Remplis l'air d'alegresse pour ce seigneur chery des cieux'：文艺复兴晚期法国贵族和其他贵宾的音乐（c.1585–c.1615）

虽然长期以来学者们一直在研究皇室条目，但贵族和其他政治人物的条目通常很少受到关注。在音乐学文献中尤其如此，这一事实无疑归因于关于该主题的幸存文献的缺乏。然而，音乐经常在这些奇观中发挥重要作用，既强调了高官的地位，又增强了所部署象征意义的关键组成部分。本文没有集中讨论一个特定事件，而是汇集了这些人物在 16 世纪末和 17 世纪初进入法国城市的尽可能多的信息。这使我们能够对这些活动中使用的音乐类型进行一般性观察（例如大张旗鼓、