The development of digital technologies and the use of advanced photogrammetry programs for modeling archaeological excavations and sites have opened new possibilities for spatial analysis in archaeology and the reconstruction of archaeological contexts. In addition, these tools allow us to visually preserve the features of archaeological sites for future use and facilitate the dissemination of archaeological heritage to local communities and the general public. This paper summarizes 3D photographic visualization of three cave art sites (Los Cayucos and Cueva No. 1 in Punta del Este, Cuba, and José María Cave in the Dominican Republic) and two burial spaces (Canímar Abajo and Playa del Mango, Cuba) using photogrammetry software. The application of these novel methods at the cave art sites allowed us to visualize faint pictographs that were invisible to the naked eye, to better define the shapes of petroglyphs and to reconstruct the position of lost/removed panels. At the burial sites, 3D modeling allowed us to register the archaeological context with greater precision. The use of 3D modeling will improve spatial analysis and data safeguarding in Cuban archaeology. Moreover, 3D movies are an effective way to disseminate knowledge and connect local communities with their cultural heritage, while reducing the impact of public visits to remote or endangered sites.

中文翻译：

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3D 摄影测量在大安的列斯群岛土著考古遗产的分析、可视化和传播中的应用

数字技术的发展和使用先进的摄影测量程序对考古发掘和遗址进行建模，为考古学中的空间分析和考古环境的重建开辟了新的可能性。此外，这些工具使我们能够在视觉上保留考古遗址的特征以备将来使用，并促进考古遗产向当地社区和公众的传播。本文总结了三个洞穴艺术遗址（古巴埃斯特角城的 Los Cayucos 和 Cueva No. 1，以及多米尼加共和国的 José María Cave）和两个墓地（Canímar Abajo 和 Playa del Mango，古巴）的 3D 摄影可视化摄影测量软件。这些新方法在洞穴艺术遗址的应用使我们能够将肉眼看不见的微弱象形文字可视化，更好地定义岩画的形状并重建丢失/移除面板的位置。在墓地，3D 建模使我们能够更精确地记录考古背景。3D 建模的使用将改进古巴考古学中的空间分析和数据保护。此外，3D 电影是传播知识和将当地社区与其文化遗产联系起来的有效方式，同时减少公众访问偏远或濒危地点的影响。3D 建模使我们能够更精确地记录考古背景。3D 建模的使用将改进古巴考古学中的空间分析和数据保护。此外，3D 电影是传播知识和将当地社区与其文化遗产联系起来的有效方式，同时减少公众访问偏远或濒危地点的影响。3D 建模使我们能够更精确地记录考古背景。3D 建模的使用将改进古巴考古学中的空间分析和数据保护。此外，3D 电影是传播知识和将当地社区与其文化遗产联系起来的有效方式，同时减少公众访问偏远或濒危地点的影响。